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Selections from “A Treatise on Parents and Children” by George Bernard Shaw (vegetarian): Art Teaching, Part 2 of 2

2021-08-19
Language:English
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“The attempt to suppress art is not wholly successful: we might as well try to suppress oxygen. But it is carried far enough to inflict on huge numbers of people a most injurious art starvation, and to corrupt a great deal of the art that is tolerated. The dearth is artificially maintained even when there are the means of satisfying it. Story books are forbidden, picture post cards are forbidden, theatres are forbidden, operas are forbidden, circuses are forbidden, sweetmeats are forbidden, pretty colors are forbidden, all exactly as vice is forbidden. The Creator is explicitly prayed to, and implicitly convicted of indecency every day. An association of vice and sin with everything that is delightful and of goodness with everything that is wretched and detestable is set up. All the most perilous (and glorious) appetites and propensities are at once inflamed by starvation and uneducated by art. All the wholesome conditions which art imposes on appetite are waived: instead of cultivated men and women restrained by a thousand delicacies, repelled by ugliness, chilled by vulgarity, horrified by coarseness, deeply and sweetly moved by the graces that art has revealed to them and nursed in them, we get indiscriminate rapacity in pursuit of pleasure. We have a continual clamor for goodness, beauty, virtue, and sanctity, with such an appalling inability to recognize it or love it when it arrives that it is more dangerous to be a great prophet or poet than to promote twenty companies for swindling simple folk out of their savings.”

“And incredible as it seems, these unhappy lunatics are left at large, unrebuked, even admired and revered, whilst artists have to struggle for toleration. To them an undraped human body is the most monstrous, the most blighting, the most obscene, the most unbearable spectacle in the universe. To an artist it is, at its best, the most admirable spectacle in nature, and, at its average, an object of indifference.”

“I submit that this indicates a thoroughly healthy state on the part of the artists, and a thoroughly morbid one on the part of the artless. In short, we all grow up stupid and mad to just the extent to which we have not been artistically educated. It is becoming exceedingly grave at present, because the last ray of art is being cut off from our schools by the discontinuance of religious education.”

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